10 years after Louis Comfort Tiffany perished, NDRC negotiated OEMsr-597 with the Louis Comfort Tiffany Foundation, Oyster Bay, New York. The Tiffany Foundation
"generously gave NDRC the use of its 80-acre estate on Cold Spring Harbor without cost to the Government."
In classified correspondence, this project was referred to by the code name Yehudi. For the benefit of those un-
familiar with this neologism, Yehudi symbolizes in contemporary slang "the little man who wasn't there."
"the 300-acre estate of Charles Tiffany, who generously permitted certain tests to be performed on his land".
"The studio buildings, which had been occupied by the art school, provided ample living and working facilities for the experiments required by the Section."
Two steel towers near Tiffany's Laurelton Hall, 100 feet high, were erected 200 feet apart, to hoist a full-scale silhouette of a Liberator (B-24) supported on a ½-inch steel cable. The model
was raised to an elevation of 85 feet above the ground. When in the elevated position, the model was 235 feet above sea level. "It is of interest that, on the occasion of its first
elevation, the approach of a four-motored bomber was reported by the local volunteer airplane spotter several miles away."
bronze statue of Hachikō was scrapped for the war effort.
"For officials, there were Tiffany's blue boxes containing a variety of gifts -- impressive, unless one stops to consider that Japanese interests own a good-sized chunk of Tiffany's."
In or about August 1994, Ramzi Ahmed Yousef, using the name Dr. Adel Sabah, rented an apartment in the Tiffany
Mansion Condominium Building, located at 21 Eisenhower Street, Greenhills, San Juan, Metro Manila, Philippines.
"Ramzi Yousef, you are not fit to uphold Islam. Your God is death."
Amy Verdi Paglia's Tiffany & Co. paperweight was stolen from the Fresh Kills site processing Sep. 11 World Trade Center debris.
University of Tokyo examining Hachikō's innards said March 2 that veterinarians had found four yakitori skewers in Hachikō's stomach.
Hachikō perished with terminal cancer and a filaria infection.
warp MAGAZINE JAPAN 2011-nen 05 tsuki-gō, released 2011.3.25, uses images of ViVi zōkan 109 BOOK Vol.3 SPRING 2011-nen 06 tsuki-gō model Elli-Rose.
Katie Yamasaki discussed 'Yama' published by Lee & Low, the illustrated biography of her grandfather, architect Minoru Yamasaki.
"Sat, 12 Mar 2011 15:35:29 +0900
From: "urotsukidoji urotsukidoji" <email@example.com>
The big earthquakes hit coast to coast Japan! Our place was blacked out !
so.. We evacuated to mother's house, I 'm sorry to send you the idea 2 so late . Could you be more patient please?
A representative exhibition of Japanese Art and Industry never before equalled, carefully selected for the Messrs. Tiffany & Co. by Dr. Christopher Dresser, late of the South Kensington Museum, London, was exposed June 11, 1877, at the rooms of the Messrs. Leavitt, Auctioneers, at Clinton Hall, Astor Place, New York.
Tiffany is an English form of the Greek Theophania, a compound of theos ‘God’ + phainein ‘to appear’.
"2. Wer sagt, Tokyo sei anonym und finster, spinnt. Wollt ihr Beispiele?
- Mittwoch habe ich JP kennengelernt. Freitags treffe ich ihn zufällig vorm Club Feria
dem Ausländer-Partyviertel in Tokyo, das ich normalerweise meide
- Wen treffe ich Samstag Nacht im Atom? Bryan, einen meiner Mitbewohner
- Wen treffe ich Samstag Morgen auf dem Nachhauseweg am Bahnsteig? Taco, einen
- Gerade eben lief ich durch's HMV (der Riesen-Plattenladen) in Shibuya und stoße
plötzlich mit dem Exfreund einer Freundin zusammen
- Dann sitze ich gemütlich in Shibuya am Hachiko (Sammel-Treffpunkt von ganz
Tokyo), da tippt mich jemand an und fragt "Aren't you Milli?". Es war Tomomi, ein
Mädchen, mit der ich mir ein paarmal bei Myspace geschrieben hatte und die
eigentlich am anderen Ende Japans wohnt
Ich liebe Tokyo" Hannah Wuzél.
Hannah Wuzél's since-deleted livejournal called for my strongest reprobation as a record
of the most wanton and stupidest cruelty I had ever seen chronicled
under the guise of blogging.
With Hannah Wuzél at first I negotiated and chicaned, to mask with profounder dissimulation the ulterior purposes of my ambition; but, when March 11 came, I knew well both Hannah Wuzél's field reports and how to strike.
"Btw, totally random, but when I went to the supermarket earlier, I got chatted up by 2 white girls who asked
me if I was Ayumi Hamasaki desu ka.
I mean, what the hell? First of all, what's a white person doing here. That's definitely the first time I saw one in my village.
Second - Ayumi Hamasaki? Uhm, no? I've had that before but only by Japanese. Also, might I add that I looked
Third - why in Japanese? (O.O;)
Feeeeel the powa~ =D Posted on Dec. 31st, 2008 at 04:50 pm" Hannah Wuzél.
To steal a line from Queen Elizabeth II, 2011 was Hannah Wuzél's annus horribilis.
"@millitokyo ...all this. I mean somebody who really knows what it's all about. God, I still can't believe it. We could have been there :'(
3:23 PM - 12 Mar 11".
ayumi hamasaki Duty, released 2000.9.27, uses 4 upper case letter track titles, inauspicious because homonymous with shi, "death", 4 lower case track titles like "vogue", 4 like "Far away", and track number 4 "End of the World".
Hinata Megumi せヵゝι)σおわ┗) ("End of the World" in English) Yumihara Nanami music video "Sapported by "Sh15uya" Staff&Cast", released 2005.2.23, uses a computer-generated SHIBUYA108 so near identical with that of Takeyama Minoru's Fasshon Komyuniti 109 (gen-・SHIBUYA109) the differnce can scarcely be descerned.
parasite eve dīvu~a ― N. Y. Shi no utahime ("New York Singing Maiden of Death" in English) manga, released 1998.10.1, was as manifest an interposition of Divine Providence, as when the sun stood still upon Gibeon, and the moon in the valley of Ajalon.
pizzicatofive;overdose, one of the hallmarks of the so-called Shibuya-kei, a sub-genre of J-POP found intercalated in a number of foreign-affiliated retail music chains in Shibuya, released 1994.10.1, uses imagery of death wholly suggested by the scenery of a grave-yard.
Hamasaki Ayumi Mirakuru Passhon ("Miracle Passion" in English) manga, released 2001.1.1, forsooth, she doffs the inimical mask fate decreed her to wear for 2001!
Cawaii ! 2001-nen 12 tsuki-gō, released 2001.11.1, uses images of AYU modeling NORTHROP P-61 BLACK WIDOW RECOVERY & RESTORATION TEAM.
parasite eve 1998.9.9 U.S. release was 3 years and 2 days prior to 2001.9.11.
The 3rd Birthday (parasite eve 3) 2010.12.22 Japan release title's 3 blood splatters read "3 11".
In January 2011, TeamAyu announced So-and-so's ARENA TOUR 2011 A ～HOTEL Love songs～ starts 9th April and ends on 24th July.
Hannah Wuzél steadily resisted all attempts to induce her to take any part in saving the world, but I, though no unskilful writer, here wrote in vain; for what ingenuity can veil the turpitude of long and practiced treachery?
However, I reached for the stars like Valentin Naboth of Silesia, and landed in Japan on Ash Wednesday [9 March], with 8 "Hannah Wuzél" tattooed upside down on my rib cages ("Eve" is "Hawwāh" in Classical Hebrew).
2 days later, on Friday, 11 March 2011, I was the first after the Flood that reigned like Soveraign Lord; and that my beginning seemeth to have been of just Authority.
28th March, Avex announced the tour rescheduled to start on 7th May and was renamed to ayumi hamasaki ～POWER of MUSIC～ 2011 A.
"Tiffany & Co. is proud to support Love & Hope, celebrity photographer Leslie Kees limited edition book, whose proceeds will be donated to the Japanese Red Cross Society to aid victims of the recent devastating earthquake. The evocative portraits of global female stars, including singer Ayumi Hamasaki (pictured), will also be on view at an exhibition at Omotesando Hills in Tokyo."
"Ayumi Hamasaki tells CNNGo she'd never run away from Japan in the face of disaster and why she loves Twitter".
"NEVER FORGET 9.11 and 3.11
6:42 AM - 10 Sep 11".
"The World Ends with You" -Solo Remix- 2012.8.27 Japan release title replaced "It's a Wonderful World".
2013.5 The World Ends with You -LIVE Remix- developed by SQUARE ENIX CO., LTD. in collaboration with GREE, Inc.
For an epopæa, March 11, Evening, 5.00 o'clock.—ITOCHU Corporation (ranked No. 3 on "Global 500: The World's Largest Corporations," Fortune, 7 August 1995, p. F-1.)
soirée in disaster-torn Japan, costing ITOCHU Corporation $4,895,199.88, in LeSportsac Omotesandō furaggushippusutoa. Music under the direction of Van Cliffe.D (Elli Arakawa). [By invitation only.] is too preaching. It has, however, more epic, than didactic merit, and might by a skilfull versifier be abridged into a tolerable poem.
Damage to public infrastructure and private capital stock, as estimated by Japanese authorities, totals ¥16-25 trillion (roughly $200-300 billion, or 3-5 percent of Japanese GDP). Over the course of three trading days following the March 11 earthquake, the yen appreciated by 7.9 percent against the dollar, reaching a record ¥/76.25 on March 16.
"With the sculpture identified as" shodai Hachikō-zō no genkei, Taniuchi Mariko's "mother's efforts in keeping it safe have borne fruit".